A side profile of a concrete bust depicting a bearded man with his head tilted upward. The most striking feature is a large, deep cut that runs from the top of the head down the side, which has been stitched together using copper wire. The contrast b
A front view of the same bust, showing the full extent of the deep cut that runs along the head and down the neck. The copper wire stitching is prominently displayed, emphasizing the sense of mending and restoration. The man's expression is calm, alm
An angled view of the bust, highlighting the deep cut and the intricate copper wire stitching. The cut appears almost surgical, yet the roughness of the concrete gives the impression of a raw, unhealed wound. The wooden base provides a sturdy foundat
A close-up of the neck area where the copper wire stitching is most visible. The stitches are tightly woven, pulling the concrete together in a way that mimics the look of sutures on a healing wound. The texture of the concrete is rough and uneven, e
Another side view of the bust, focusing on the line of the cut as it curves along the head and neck. The copper wire glints against the grey concrete, adding a subtle metallic sheen that draws attention to the sculpture's themes of injury and healing

Stitch

2016

A Collaboration with Mackenzie Fedoruk.

 

Concrete, Fir, Copper.

12”x15”x19”

Stitch is Unique in the series because rather than showing the figure going though an on-going experience, we see the that something has happened to him in the past though his stitched up wounds. The wounds indicate some severe physical trauma with a nod to one of the other sculptures in the series.